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* _Photoshop Elements_ is a hobbyist’s or non-commercial image editing program that works on a standalone basis or online via Adobe’s Creative Cloud (CC). It is a small program that works with various modules in the general direction of Photoshop. To complement Photoshop Elements, Adobe has also released a free trial version of Photoshop called Photoshop Express. * _GIMP_ (GNU Image Manipulation Program) is a free open source (source code is available to the public) image editor. It is an extremely powerful general image editing program that runs under Linux and FreeBSD and runs well on Windows. Its tools are designed to work with raster images, and it supports layers, bitmap masks, layers, and channel layers. It also incorporates many of the features of Photoshop. # Copyright Basics When you first acquire a book or magazine, you are given a copyright notice that tells you that it is copyright by the publisher. If you want to use an image in a book, you have to obtain permission. For artwork you create, you must still ask for permission. ## Rights of Use Every copyright states the rights of use granted to the person who holds the copyright. The copyright owner has control over how the image is used and can decide if a license is needed to use the image. ## Copyright Notice Many books and magazines include a copyright notice with the image so that the image cannot be used without permission. You can also find copyright notices on websites and on the Internet. Be careful to keep track of this and request permission if you plan to use a copyright image in your work. ## Licensing for Small and Small-to-Medium Businesses You’ll usually find two kinds of licenses for images: a _permission to use for commercial purposes_ and a _permission to use for non-commercial purposes_. The following paragraphs discuss each license in turn. For businesses, permission to use images in your work is usually granted by the photographer when taking the image. If you are hired by the photographer to take a specific image, you usually sign a _model release_. For a magazine, this is a standard form document that a model signs before taking a photo for use in a magazine. The form includes a release of copyright. For a photography student or hobbyist, permission to use images in projects for an individual does not generally require a model release. On the other hand, for a student or hobbyist, the photographer would
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REQUIREMENTS: Mac OS 10.10 or later The latest version of Photoshop Elements available at the time this article was written This tutorial was originally written for version 1.0 but still works for older versions as well. You can follow along at any step, no matter which version of Photoshop Elements you use. Because the tools and features in Photoshop Elements are quite different from those in the full version, we have indicated parts of the tutorial with this handy guide. Note: The guide and the references to specific steps in the tutorial all use the Apple OS numbering. SECTIONS OF THIS TUTORIAL: Use the markup in the article to navigate sections of the guide or get a more detailed explanation. 1 What Is Photoshop Elements and How Do I Use It? In the previous section, “1. What Is Photoshop Elements,” we introduced the first step in learning to use Photoshop Elements: learning what it is. If you never used a Photoshop application before, this section will bring you up to speed by teaching you how to open Photoshop Elements. The biggest difference between Photoshop Elements and Photoshop is that Photoshop Elements is meant for web graphics instead of high-end images. Photoshop Elements does not include the many professional features of Photoshop and uses a different interface for working with images. Photoshop Elements is designed to be a gateway drug. It contains most of the features of Photoshop, with a simpler interface. Elements also contains many common tools and features, such as layers and selections, that can be used to quickly create simple, even crappy, images. Photoshop Elements is the perfect place to practice using tools and get the hang of the interface. Even if you are already a Photoshop user, Elements will help you learn more efficient ways of using Photoshop. In this section, we will discuss the Photoshop Elements interface, its many tools and workflows, and how to import and save images. 2 What Is the Photoshop Elements Interface? The first step in editing images in Photoshop Elements is opening them. You navigate the Elements interface using a series of images that make up the layers in an image. Think of Photoshop Elements as a set of tools to build a picture, a child’s drawing of which you are the teacher. When you start your project, you are given several images to build your picture with. Each of the images is a reference image for a new stage of the drawing. The images help you: 05a79cecff
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Live donors and the kidney transplantation epidemic. Problems associated with organ shortages and allocation schemes have led to increased use of live related donors in kidney transplantation. The incidence of primary and secondary diseases in live donors is higher than in cadaver donors. The majority of these cases are in the early postoperative period and are usually related to surgical complications. During the last decade, many modifications have been introduced to improve the safety and use of live related donors, but the conversion rate of donors continues to be low. The problem of organ shortages and limited transplantation opportunities for many live related donors has led to the use of expanded criteria donors. These include increased donor age and medical diseases (diabetes mellitus, hypertension and other systemic diseases) that are not necessarily related to transplantation. The overall short- and long-term outcome of transplantation in expanded criteria donors is comparable with that of transplants from cadaver donors. The increased use of live related donors can enhance the living donor program and is sometimes a first choice for patients. The use of live related donors in addition to cadaver donors can improve the donor pool and eliminate the waiting list problem.How We Got To Now is an award-winning documentary that chronicles the history of Canadian hand-crafted hard cider. Narrated by the Honorable Tom Mulcair, MP, the film follows two generations of the Cockburn family as they embark on a journey that encompasses the birth of the craft cider industry in Canada, and the collaborative spirit of producers from the Canadian Maritimes working together to produce and enjoy the unique regional style of this beverage. Through poignant interviews and a unique feature that allows the cameras to travel around the world, the film offers a visual of the global industry and how the American cider revolution has impacted the Canadian industry. In addition to its narration by the Honorable Tom Mulcair, MP, and its exploration of the artistic process of Canadian hard cider producers, the film also includes an original score composed by guitarist and musician Tony Scherr. Canadians have been drinking hard cider for decades — but not since Prohibition in the U.S. — and now the craft hard cider movement has arrived in a big way. How We Got To Now explores the origins of this cider movement, the ways it has evolved and the methods by which Canada has become a world-renowned cider producer. The piece also delves into the lives of two of the pioneers of the Canadian hard cider industry: Bjorn Cockburn, producer of Guttons “Easy S
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I couldn’t see the little boy’s face, but that really didn’t matter. He had a quiet way about him. A way that made my heart jump every time I saw him. This little child, six years old, was a friend of mine. This was my son. We visited the little boy in the hospital several times a day. We talked, we comforted, and we laughed. At times we were truly amazed. We wondered aloud what sort of life this kid had. What would he be doing as an adult? Who would he marry? Would he have children? What would they be like? What would he be doing for a living? What would his career path be? Where would he live? What would he look like? The little boy had a mysterious past that we have only recently begun to understand. He was from a broken home. His parents were no longer together. His father left his mother and at one point, he moved in with a woman named Anna. She had two children, a four year old girl and a two year old boy. One day, the little boy, who was nine years old at that time, came home from school and found his mother and Anna on the floor. He immediately ran to his mother and began crying. Anna started yelling at him, blaming him for the disturbance. But the little boy wouldn’t listen. He simply kept crying. She pushed him away. He stood there, sobbing. After several minutes, Anna grabbed him and took him to her bedroom. Anna was an alcoholic. She drank for a living, and she drank to excess. She began to beat on his mother, as if she wanted to punish her for causing so much unhappiness in the girl’s life. She beat on her mother until the mother was clearly in great pain. She beat on her until she was bruised all over. She beat on her until she was unconscious. Then, instead of calling an ambulance, she left the mother on the floor, alone, to recover from the beating. Anna left on the bus to meet another man. That man was her attorney. He had a different plan for Anna. Anna knew what life would be like in the future. She also knew that she was going to prison, and she knew that after she went to prison, she wouldn’t be able to have contact with her children. Her lawyers told her that they would, by law, keep her children
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